Transporter 2 The Face of Things To Come

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Marion
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Transporter 2 The Face of Things To Come

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There is nothing on the planet more pathetic than the talentless White Beauches in New York City who are convinced that they will be movie stars. By and large, these fahks are all tired-ass losers giving $50.00 blow jobs to pay their rent; they have zero talent, zero skill and absolutely nothing whatsoever going for them. If you actually take a minute to talk to one of these stupid beauches and try to figure out what exactly it is that has her convinced that she's gonna to be the next big thing, you will see that the dump beauch thinks that being White is enough. These stupid fahkers live in a country with 350 million other disposal White Trash Aholes exactly like them, yet some how they are all still convinced that being White is enough.

I have just accepted that it will take a team of shrinks to help me get over my desire to kill the fahking wanna-be actors in New York City.

Transporter 1 was a Work of Logic. There were a lot of things in Transporter 1 that probably qualify as talented movie making. However, what made Transporter 1 interesting for me, and probably the reason why there is a Transporter 2, was the casting.

The lead actor in Transporter gained a lot of fame in the UK and some fame in the US via his work in Guy Richie's "Lock Stock and Two Smoking Barrels".

I read that the actor in Transporter who played the detective is a mega superstar in France. And,

The actress who played the damsel-in-distress in Transporter 1 is a mega superstar in Asia.

In effect, Transporter 1 was an assembly of actors who owned a niche movie consumer market. The Lead actor in Transporter 1 guaranteed X amount of money from the UK/US markets; the detective in Transporter 1 guaranteed X amount of money from the French/European market; and the actress in Transporter 1 guaranteed X amount of money from the Asian market. Transporter 1 was/is a Work of Logic, a stunning example of the Science of Movie Marketing.

Now, consider the Science of Movie Marketing in relation to some dumb White beauch in New York City who thinks that being White is enough.

Marion Paige
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